Ronroco I-XXVI 为庆祝新艺廊开幕，品牌推出了一款美国独家香气：Ronroco I-XXVI。这是一支诞生于 Bedel 与奥斯卡获奖作曲家 Gustavo Santaolalla 友谊之中的作品。两人皆是自学成才的阿根廷艺术家，也 都曾离开故土，只为追寻各自的创作之路。他们之间共享着一种难以 更准确命名的感知力：深植于出身之地，也深植于木质、回响与耐心之 中。Ronroco 本身，是一种源自玻利维亚与智利安第斯高地的小型弦 乐器，而 Santaolalla 则用数十年时间，将这种原本属于地方民间传统 的声音，转化为一种具有全球共鸣的抒情语汇。 为了创作这款香气，Bedel 将这件乐器真正带进 Fueguia 的实验室。 他研究其琴体，拆解其中木材与树脂的气味结构，再将它们重新组合 为一支香。香调核心建立于 Copal、Oud Chaco、 Salvia del Monte 之上——带有仪式感、树脂感，亦带着山间空气般的冷冽；围绕其展 开的，则有 Cedaarwood、Patchouli、Rose、Incense、Elemi、Palo Santo、Myrrh、 Douglas Fir。整份配方与其说像一张香调表，不如说 更像一段乐谱。 在5月5号，Santaolalla 更亲自在艺廊内现场演出——那件孕育出这款 香气的乐器，在诞生它的空间里再次发声。 Ronroco I-XXVI To mark the opening, the house is introducing a U.S. exclusive: Ronroco I-XXVI, a scent born of a friendship between Bedel and the Oscar-winning composer Gustavo Santaolalla. Both are self- taught Argentine artists who left their homeland in pursuit of their craft, and both share what can only be called a sensibility: rooted in origin, wood, resonance, patience. The ronroco itself is a small stringed instrument from the Andean highlands of Bolivia and Chile, and Santaolalla has spent decades transform- ing it from a regional folk voice into something globally lyrical. For the perfume, Bedel carried the instrument into the Fueguia laboratory. He studied its body, decomposed its timbers and resins into their aromatic signatures, then reassembled them as scent. The heart rests on Copal, Oud Chaco, and Salvia del Monte: ceremonial, resinous, cool as mountain air. Around it, Cedarwood, Patchouli, Rose, Incense, Elemi, Palo Santo, Myrrh, Douglas Fir. The composition reads less like a fragrance list than a score. On May 5, Santaolalla performed live inside the gallery—the instrument that became the perfume played in the room that holds it. Fueguia 1833 3333 Bristol Street, Suite 1603 Costa Mesa, CA 92626 714.760.4404 fueguia.com 42 BALLIET + WANG LUXURY LIVING
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